In
1999, Lady Morte began work on a lone project called, Trobar de Morte.
This project, involving vocals and keyboards, was principally
inspired by the Middle Ages. Some
years later, in 2002, Lady Morte joined together with two companions (members
of Sathorys),
in order to work on a project that was similar in theme and which put
Trobar de Morte on hold.
The union of the two groups, Trobar
de Morte and Sathorys,
became Ordo
Funebris.
When Ordo
Funebris disbanded a year later, in September of 2003, Lady
Morte began again her work creating music under the name, Trobar de Morte, picking up her initial project, where it had
been left off the year before.
She
wanted a band, which did not rely solely upon one instrument, the
keyboard, and thought that an acoustic guitar would bring much more
beauty to the music. Thus,
she invited “Lenna” to play along with her, charging him with the
creation of the guitar score. Still,
something was missing…something that would give more force and
tenacity to the band, something that would forcefully beat through the
music like a heart…the percussion! And so, “Taedium” was also invited to play, becoming the
lord of the drums. In this
way, a new band was created, a band where the world of dreams is ruler,
where fairies exist, and beautiful, deep forests prompt a return to a
non-existent medieval era. There, where the witches dance around the
bonfire and share their desires with the night and the stars, where the sea
whispers the secret name of the wind, and the moon lulls us to sleep
with its sweet lullaby…all of this breathes life into Trobar de Morte.
In
December of 2003, Trobar de Morte began recording what would be their first album,
“Nocturnal Dance of the Dragonfly.”
In
February 2004, after Taedium’s departure, two new musicians were
incorporated into the the band: Rorschach
(percussion) and Lady Eodil (keyboard, percussion and vocals).
On
the 8th of May of that year, the newly-formed Trobar
de Morte performed their first concert in the Sala Mephisto in
Barcelona, Spain, where more than 100 fans attended.
In
June of 2004, the group recorded the first version of “La princesa Dolça
de Provença,” in order to include it in a compilation of Spanish
bands, featuring those with medieval, neo-classical, folk, etc., roots (e.g.,
My Dear Freaks, etc.).
In
August 2004, Rorschach left the band, and in his place, Armande joined,
as both percussionist and bassist.
That
same month, Trobar
de Morte prepared to record what would be their first long-play
CD, “Fairydust”. This album was recorded at the Axstudios in Barcelona and was
finished by mid-September. Lady Morte asked for collaboration in the
recording of this album from Arianne (Vocals), who shortly thereafter
decided to become a member of the group.
At
the end of November 2004, a review of the CD and an interview were
published in the magazine, Hell
Awaits.
“Fairydust”
was
finally released in December of 2004, in a limited Digipack edition of
1,000 copies.
In
January 2005, at the time that this brief history is being written, Trobar
de Morte is in the process of preparing for future appearances.
February
4, 2005: Trobar de Morte gave a concert at the Sala Mephisto in
Barcelona, Spain, to introduce their new album, Fairydust.
March
24, 2005: The Band took part in the Existence Festival in Valencia,
Spain.
May
15, 2005: Invited to
participate in the 14th Annual Wave Gotik Treffen Festival,
Trobar de Morte traveled to Leipzig, Germany, and gave a splendidly-received
concert with encores at the “Schauspielhaus”, completely selling out
the theatre.
July 30, 2005: Trobar de Morte travel to Valencia since are again guests to the second edition of Existence Festival .
Between September and November 2005 Trobar of Morte enters to record in the Axstudios its new work Reverie. For this new work the band has the aid of two good musicians: David Bozzo (Violin) and Jose Luís Frías (Bagpipes and Whistles).
Reverie leaves published in digipack limited edition in January 2006. For this work also they include the contribution of the fantastic illustrator Victoria Francés (Norma Editorial)
*We are working in the up-date of this section, sorry!